Ada Sari 1886-1968

Née le 29 juin 1886 sous le nom de Jadwiga Leontyna Scheuer  à Wadowice, ville du sud de la Pologne à 50Km de Cracovie, Sari était la fille d’Edward Scheuer, un avocat bien connu, diplômé de l’Université Jagellonne, et de son épouse Franciszka (Frances) née Chybińska. Trois ans plus tard, son père changea le nom de sa famille en Szayer et, après avoir déménagé à Stary Sącz, a ouvert un cabinet d’avocats. Sa réputation grandit rapidement et il devint conseiller, puis maire de la ville. Sa mère, Franciszka, née Chybińska, cousine du célèbre musicologue Adolf Chybiński, s’occupait de leurs six enfants (Jadwiga avait quatre frères et une sœur).

La maison de Ada Sari à Stary Sącz

À l’âge de six ans, Jadwiga a commencé ses études dans une école de jeunes filles dirigée par des soeurs Clarisses, où elle apprit parallèlement à jouer du piano sous la supervision de sa mère. Elle fut ensuite envoyée au collège à Cieszyn et à Cracovie où elle commença à apprendre le chant. Après avoir obtenu son diplôme d’études secondaires, elle revint à Stary Sącz continuant le chant avec les sœurs Szyrajew.  En 1905, ses parents l’envoyèrent à Vienne pour deux ans d’études à l’école privée de la comtesse Pizzamano. Le programme comprenait chant, danse, musique, cours de bonnes manières, cuisine gastronomique, broderie décorative et dessin. Bien sûr, Ada se concentra sur les cours de chant et de piano. En récompense de ses progrès, elle se vit confier la partie titre de la “poupée” d’Edmond Audran, mise en scène par des étudiants du salon de la princesse Lichtenstein. Le succès a renforcé sa résolution à poursuivre dans cette voie. Mais pour cela, il fallait se rendre en Italie.

Ada Sari dans le rôle de Rosine du Barbier de Séville

Jadwiga Szayer se rendit donc à Milan pour une audition avec le professeur Antonio Rupnicka. Elle lui chanta l’air de Rosine du Barbier de Séville. Le professeur la félicita pour l’intonation, mais il émit des réserves sur son volume sonore qu’il compara au bourdonnement d’une mouche autour d’un lustre. Malgré ses doutes, il admit la jeune fille parmi ses élèves et elle fut très vite considérée comme un membre de la famille Rupnicki. Après deux ans de travail et la constitution d’un répertoire, le maestro Antonio décida que Szayerówna était prête à se produire sur une scène.

Elle fit ainsi ses débuts dans le rôle de Marguerite (Faust de Gounod) au Teatro Nazionale de Rome en 1909, adoptant le nom de scène Ada Sari, Ada étant un simple diminutif du nom Jadwiga et Sari une variation à consonance italienne du nom de famille. De 1910 à 1912, sa carrière se développa lentement mais sûrement et elle chanta à Alexandrie, Naples, Bologne, Florence, Vérone, Venise, Gênes, Milan Madrid et Lisbonne. Les polonais purent l’applaudir pour la première fois en 1914 au Grand Théâtre de Varsovie, dans le rôle de Gilda (Rigoletto), puis elle donna des concerts en Italie, en Espagne, au Portugal et en Russie, où elle chanta à Moscou, Saint-Pétersbourg, Kiev et Odessa. 

Portraits de Ada Sari

En 1923, elle fut choisie par le maestro Toscanini pour chanter, en italien, la reine de la nuit (La flûte enchantée) à La Scala de Milan. Elle connu alors une période de triomphes ininterrompus jusqu’au début de la Seconde Guerre mondiale. Ada a joué avec les plus grands chefs d’orchestre (Tullio Serafin, Sergei Koussevitzky), les plus grands chanteurs (Beniamino Gigli, Mattia Battistini, Aureliano Pertile) et instrumentistes (le violoniste Fritz Kreisler, le violoncelliste Pablo Casals, le pianiste Wilhelm Backhaus). Le public a applaudi les principaux rôles de soprano qu’elle a interprétés dans des opéras tels que l’Enlèvement au Sérail, Les Huguenots, Le Prophète, Cavalleria rusticana, I Pagliacci, Thaïs, etc. Elle assuma un total de plus de trente rôles, certains comportant les plus hautes difficultés techniques et nécessitant également des compétences d’acteur. De plus, elle maîtrisa environ quatre cents mélodies, chantait dans onze langues et fut célèbre pour son excellente diction.

Ada Sari
Ada Sari

Au milieu des années 1930, constatant un début de déclin vocal, elle quitta Milan et revint se fixer à Varsovie. Elle se consacra alors entièrement à l’enseignement pendant de nombreuses années, d’abord au Conservatoire de Cracovie, puis à l’École supérieure de musique de Varsovie où elle forma plus d’une centaine de chanteurs.  Parmi ses très nombreux élèves, on peut citer Bogna Sokorska qui devint aussi une illustre colorature, Halina Mickiewiczówna également colorature, Zdzisława Donat, Teresa Trawińska-Moroz, Maria Fołtyn, Barbara Nieman, Wiktoria Calma, Marian Woźniczko, Jerzy Orłowski  et Lidia Abti-Ring qui l’invita plus tard aux États-Unis pour donner des cours dans son école de chant. Dans les années 1920 et 1930, Ada Sari a fait des enregistrements pour Polydor et La Voix de son Maître.

Ada Sari a passé l’occupation à Varsovie, vivant de ses leçons. La plupart de ses biens ont été brûlés lors du soulèvement de Varsovie en 1944. Elle se produisit sur scène pour la dernière fois le 5 mai 1946, à l’Opéra de Basse Silésie de Wrocław, dans le rôle de Gilda.

Tombe de Ada sari au cimetière de Powązki à Varsovie

Elle est décédée le 12 juillet 1968, à l’âge de 82 ans, des suites d’une crise cardiaque lors … d’un séjour de vacances à Ciechocinek. Ada Sari fut enterrée, avec l’un de ses enregistrements de Rosine, au cimetière de Powązki à Varsovie. La tombe est décorée d’une sculpture choisie par l’artiste elle-même, la représentant comme la reine de la nuit.

Il y a une rue à Wadowice qui porte son nom. À Nowy Sącz, sur la maison qui appartenait autrefois à ses parents (16, rue Sobieskiego), une plaque a été placé. Au cimetière local, grâce aux efforts de la Société des amoureux de Stary Sącz, le tombeau de la famille Szayer a été rénové. Le nom Ada Sari fut donné à un lys rouge cultivé en 1991 par un jésuite polonais. En 1990, la Poste polonaise a émis un timbre à son effigie. Depuis 1985, le festival et concours international d’art vocal Ada Sari a lieu chaque année dans la ville de Nowy Sącz, proche de Cracovie, en l’honneur de l’héritage musical d’Ada Sari. Elle était co-fondatrice et membre honoraire de l’Association des musiciens polonais, créatrice du Senior Circle. Elle a été récompensée, entre autres par La Croix de Commandeur de l’Ordre de Polonia Restituta (1953), la Croix d’Or du Mérite (1955) et l’Ordre de la Bannière du Travail, 2e classe (1960).

Ada sari devenue une enseignante réputée

Ada sari ne s’est pas mariée et n’a pas eu d’enfant. A ce sujet, elle dira: «J’ai vécu dans des malles et des hôtels pendant vingt-cinq ans, alors où aurais-je du temps pour un enfant?» Elle considérait sa profession comme une vocation, un appel à l’art, comparable à la prêtrise. Elle disait à ses élèves: «N’oubliez pas que le chant est jaloux. Il doit remplacer votre mari et votre amant, ainsi que votre père et votre fils. Si vous trichez en chantant, il vous trahira également. L’art est jaloux et déteste toute compétition. Si l’artiste trahit l’art, l’art prendra immédiatement sa revanche le même soir sur scène».

Mis à part ses étudiants, elle n’avait pas beaucoup de contacts avec la «vie ordinaire». Elle n’était pas au courant du prix des marchandises. Elle avait sa propre couturière et son cordonnier. En vacances, elle préférait aller au spa de Marianske Lazne (République tchèque) ou de Ciechocinek. Elle était escortée au théâtre par un jeune admirateur, Bogusław Kaczyński, qui a même hérité d’une partie des archives de sa carrière. Elle avait une voiture avec chauffeur fournie par le ministère de la Culture et des Arts.

Ada Sari en 1968

Sur le plan vocal, Ada Sari conserva son excellente forme vocale pendant près de 40 ans en raison du strict respect des principes de la technique belcantiste italienne classique. Son fondement était le naturel, la liberté de souffle, la relaxation des muscles du corps entier et la respiration élastique diaphragmatique. Dans ses cours, elle posait la main de l’élève sur son propre diaphragme. Elle apprenait la respiration diminuendo en soufflant sur une flamme de bougie.

Les critiques ont écrit à propos d’Ada Sari: «Sa voix est un ressort d’or, qui a la flexibilité de l’acier; tout l’air qui passe à travers le larynx se transforme en son et pas un seul atome ne meurt sous forme de souffle; elle est un maître du chant orné». La presse italienne l’a surnommé “la Reine de la colorature” et “la nouvelle Patti”.

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