Léopold Simoneau 1916-2006

Léopold Simoneau était un ténor lyrique canadien particulièrement réputé dans les rôles mozartiens en raison de la perfection de son style et la finesse de sa sensibilité.

Léopold Simoneau naquit le 3 mai 1916 à Saint-Flavien, dans le district de Lotbinière (province de Québec, Canada). Il étudia la musique au collège francophone de Lévis, près de Québec et fit partie du chœur de la cathédrale Saint-Patrick de Montréal. Il perfectionna sa technique de chant auprès d’Émile Larochelle, à Québec (1939), puis au cours de chant du studio de Salvator Issaurel (à Montréal) où il rencontra la soprano Pierrette Alarie qui allait devenir sa femme en 1946.

Léopold Simoneau et Pierrette Alarie

Avec la troupe des Variétés lyriques, il débuta à la scène dans le rôle de Hadji (Lakmé) (1941). Il tint ses premiers grands rôles avec les Variétés lyriques dans Mignon, La Fille du régiment, Mireille, Traviata et Le Barbier de Séville, le plus souvent avec Pierrette Alarie comme partenaire. Il donna ses premiers récitals à la SRC (Société Radio Canada) et aborda en 1943 son premier rôle mozartien, Don Curzio (Le Nozze di Figaro), pour les Festivals de Montréal sous la direction de Sir Thomas Beecham. En 1944, il obtint le Prix Archambault qui lui permit de faire ses débuts avec l’Orchestre de Montréal sous la direction de Wilfrid Pelletier. Il poursuivit entre-temps des études à New-York avec Paul Althouse (1945-47) et, en mai 1945, il fut applaudi à Montréal dans les rôles de Ferrando (Così fan tutte), de Tamino (La Flûte enchantée) avec l’Opera Guild (création canadienne de ce dernier opéra) et dans le Te Deum de Berlioz.

Léopold Simoneau

Il commença sa carrière lyrique aux Etats-Unis à Central City dans le Colorado puis à la Nouvelle-Orléans. Il débuta à l’Opéra-Comique de Paris en 1949 dans Mireille de Gounod. À Paris, il prépara ses rôles avec Berl Lilienfeld et, à Vienne, avec Erik Werba, tout en restant lié à l’Opéra et à l’Opéra-Comique de Paris jusqu’en 1954, interprétant plusieurs rôles du répertoire et, en juin 1953, celui de Tom lors de la création en France de The Rake’s Progress de Stravinsky. La critique le compara à Edmond Clément qui avait été l’un des grands ténors lyriques français de la fin du XIXème et du début du XXème siècle, internationalement réputé pour l’élégance de son style, sa diction exemplaire et sa prestance scénique.

La réputation internationale de Simoneau comme spécialiste de Mozart se confirma dès 1950 lorsqu’il fut invité par les festivals d’Aix-en-Provence et de Glyndebourne où, dans les années suivantes, il chanta Ottavio, Ferrando, Tamino, Idamante (Idomeneo) et Belmonte. On l’entendit aussi dans Iphigénie en Tauride (Pylade), Il Matrimonio segreto (Paolino) et Orphée et Eurydice (Orphée, version ténor). En 1952, à Paris, lors du Festival du XXème siècle, il participa à une exécution historique d’Oedipus Rex de Stravinsky, sous la direction du compositeur, avec Jean Cocteau comme récitant. En 1953, il chanta Don Giovanni à la Scala de Milan, sous la direction de von Karajan et, en 1954, il participa à des représentations de l’Opéra de Vienne au Royal Festival Hall de Londres. Il se rendit également au Teatro Colón de Buenos Aires et au Festival de Salzbourg ainsi qu’à celui d’Édimbourg.

Maria Callas et Léopold Simoneau dans Traviata

Aux États-Unis et au Canada, il fut l’invité des grands orchestres et effectua de nombreuses tournées de récitals, fréquemment avec sa femme ou comme membre du Bel Canto Trio dont faisait partie le baryton Theodor Uppman. À l’Opéra de Chicago (Lyric Opera), il tint plusieurs rôles dont Alfredo (Traviata) aux côtés de Maria Callas. À Toronto, il chanta avec l’orchestre de la COC (Canadian Opera Company) Don Giovanni en 1956 et L’Enlèvement au sérail en 1957. Il reprit ces mêmes rôles pour les Festivals de Montréal. En 1958, il interpréta le rôle d’Ottavio au Festival international de Vancouver avec George London (Don Giovanni) et Joan Sutherland qui faisait ses débuts en Amérique du Nord dans le rôle de Donna Anna. Au Festival de Stratford, il donna un récital avec Glenn Gould en 1962 et l’année suivante chanta une fois de plus le rôle de Don Ottavio dans sa seule saison au Metropolitan Opera de New-York (début octobre 1963). Theodore Strongin du New-York Times a déclaré qu’il chantait «avec intelligence et beauté du son». En avril 1964, il reprit ce rôle à Montréal pour deux représentations qui furent ses adieux à la scène lyrique.

Il aura interprété Don Ottavio 185 fois au cours de sa carrière. Il poursuivit cependant sa carrière au concert, interprétant notamment Le Messie (1967) et un mémorable Requiem de Berlioz (1969) avec le Choeur Mendelssohn de Toronto. Il chanta en public pour la dernière fois le 24 novembre 1970, dans Le Messie de Haendel, en compagnie de son épouse, avec l’Orchestre Symphonique de Montréal.

Léopold Simoneau avait toujours pensé que son pays natal méritait mieux que les quelques représentations d’opéra données à Montréal ou à Québec dans de déplorables conditions. Il souhaitait que l’on remédia à cela et après un dernier concert à Montréal en 1970, il s’y employa en contribuant à la création de l’Opéra du Québec au mois de février 1971 dont il devint le directeur artistique. La même année, il fut nommé officier de l’Ordre du Canada. Il a également été nommé Officier de l’Ordre des arts et des lettres de France en 1990. 
Aussi exigeant pour ses collègues que pour lui-même, il comptait par dessus tout sur l’excellence de leur travail et sur leur loyauté. Voyant son autorité bafouée à l’occasion d’un conflit qui l’opposa aux administrateurs de cette institution, il choisit de s’expatrier avec son épouse Pierrette Alarie plutôt que d’accepter l’obligation de confier la direction d’une œuvre à un jeune chef qui n’avait jamais dirigé une représentation d’opéra. Privé des appuis de ceux qui auraient dû le supporter, alors que sa voix était toujours d’une magnifique fraîcheur, Simoneau décida alors de quitter la scène et de ne plus se consacrer qu’à l’enseignement. En 1972, Les Simoneau   s’installèrent avec leurs deux filles, Isabelle et Chantal, en Californie où Léopold enseigna au Conservatoire de San Francisco pendant une dizaine d’années. Son épouse, Pierrette Alarie y devint metteur en scène d’un certain nombre de petites compagnies d’opéra le long de la côte californienne. 

Léopold Simoneau et Pierrette Alarie fondateurs du Canada Opera Piccola de Victoria

En 1982 il rentra au canada et fonda, avec son épouse, le Canada Opera Piccola de Victoria, sur l’Ile de Vancouver en Colombie-Britannique, dont le but était la formation avancée d’étudiants, lui pour le chant, son épouse pour la mise en scène. C’est surtout à partir de ce moment qu’il rendit publiques ses exigences en matière d’art lyrique et sur les qualités d’un bon chanteur: vaillance, discipline, volonté, travail acharné, pureté du chant, émission libre et naturelle. Ce sont les contraintes qu’il s’était lui-même imposées et dont il a explicité les règles dans son opuscule L’Art du Bel Canto. Comme dans toutes ses autres réalisations on y mesure sa profonde connaissance de l’art qu’il s’est appliqué à défendre. Comme ses deux compatriotes québécois les ténors Raoul Jobin et Richard Verreau, Léopold Simoneau a marqué l’évolution de l’art lyrique au Québec. On leur cherche maintenant des successeurs dans ce registre et si l’horizon est plutôt sombre de ce côté, il est préférable de se tourner vers Karina Gauvin et Marie-Nicole Lemieux afin de poursuivre la tradition québécoise du beau chant. Ce que Léopold Simoneau recherchait dans le chant, il l’aurait sans doute trouvé chez ces deux artistes d’élite. L’héritage qu’il laisse est en tout cas révélateur des efforts qu’il a consentis pour relever à sa façon le niveau de l’art lyrique.

Il mourut le jeudi 24 août 2006, à Victoria, à l’âge de 90 ans, des suites du diabète. Son épouse, Pierrette décèda le dimanche 10 juillet 2011, à Victoria, à l’âge de 89 ans.

Léopold Simoneau compte parmi les chanteurs canadiens les plus prestigieux de son époque. Sa réputation en tant qu’interprète de Mozart est universelle, comme l’attestent sa participation aux plus grands festivals et manifestations réservés à ce compositeur, ainsi que ses enregistrements. Il se distingue aussi comme interprète de la musique française, à la scène comme au concert. Grâce à une imposante discographie, la postérité pourra connaître sous tous ses aspects l’art de ce chanteur exceptionnel. En 1961, un de ses enregistrements (arias de concert et duos de Mozart avec Pierrette Alarie et l’Orchestre philharmonique d’Amsterdam) remporta le Grand prix du disque de l’Académie Charles-Cros de Paris. Lui et sa femme furent les premiers titulaires du Prix de musique Calixa-Lavallée (1959). Simoneau gravera ses rôles mozartiens de prédilection dans des versions discographiques promises à la légende. Il est, notamment, le Ferrando du Cosi fan tutte d’Herbert von Karajan (EMI), au côté d’Elisabeth Schwarzkopf, et Tamino dans La Flûte enchantée de Karl Böhm (Decca). Par la perfection de son style et la finesse de sa sensibilité, Léopold Simoneau appartient au cercle très étroit des ténors mozartiens qui ont marqué l’histoire du disque. Le monde lyrique de l’après-guerre aura rarement connu incarnations plus élégantes, plus racées, plus raffinées dans l’expression, la diction, la courbe du phrasé.

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  81. برند ( هایک ویژن ) در عرض 20 سال به یکی از معتبرترین برندهای تولید کننده دوربین مداربسته در جهان تبدیل شد. کارخانجات تولیدی هایک ویژن در کشور چین فعال هستند و این شرکت در زمنیه تولید تجهیزات حفاظت تصویری فعال است. این شرکت در صنعت حفاظت تصویری دنیا به یک شرکت پیشرو در زمینه تحقیق و توسعه و ارائه راهکارهای نوین برای آینده شهره است و ما مفتخریم که محصولات با کیفیت برند هایک ویژن را به شما عزیزان عرضه می کنیم.

  82. برند ( هایک ویژن ) در عرض 20 سال به یکی از معتبرترین برندهای تولید کننده دوربین مداربسته در جهان تبدیل شد. کارخانجات تولیدی هایک ویژن در کشور چین فعال هستند و این شرکت در زمنیه تولید تجهیزات حفاظت تصویری فعال است. این شرکت در صنعت حفاظت تصویری دنیا به یک شرکت پیشرو در زمینه تحقیق و توسعه و ارائه راهکارهای نوین برای آینده شهره است و ما مفتخریم که محصولات با کیفیت برند هایک ویژن را به شما عزیزان عرضه می کنیم.

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  91. هایک ویژن بازه گسترده ای از محصولات دوربین مداربسته و سایر تجهیزات نظارتی و حفاظتی را ارائه می دهد. این شرکت تمامی نیازمندی ها برای حفاظت از یک محیط کوچک تا یک زیرساخت ملی را در سبد محصولات خود به مشتریان پیشنهاد می دهد.

  92. هایک ویژن بازه گسترده ای از محصولات دوربین مداربسته و سایر تجهیزات نظارتی و حفاظتی را ارائه می دهد. این شرکت تمامی نیازمندی ها برای حفاظت از یک محیط کوچک تا یک زیرساخت ملی را در سبد محصولات خود به مشتریان پیشنهاد می دهد.

  93. هایک ویژن بازه گسترده ای از محصولات دوربین مداربسته و سایر تجهیزات نظارتی و حفاظتی را ارائه می دهد. این شرکت تمامی نیازمندی ها برای حفاظت از یک محیط کوچک تا یک زیرساخت ملی را در سبد محصولات خود به مشتریان پیشنهاد می دهد.

  94. هایک ویژن بازه گسترده ای از محصولات دوربین مداربسته و سایر تجهیزات نظارتی و حفاظتی را ارائه می دهد. این شرکت تمامی نیازمندی ها برای حفاظت از یک محیط کوچک تا یک زیرساخت ملی را در سبد محصولات خود به مشتریان پیشنهاد می دهد.

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  100. املاک ستایش یک پلتفرم آنلاین املاک میباشد و ما در این سایت سعی بر این داریم تا املاک گیلان را به شما در بستر اینترنت معرفی کنیم و تمام جزئیات ملاک اعم از ویلا خانه زمین باغ و … را با شفافیت بازگو کنیم تا شما مشتری عزیز بتوانید بهتر تصمیم گیری کنید.

  101. املاک ستایش یک پلتفرم آنلاین املاک میباشد و ما در این سایت سعی بر این داریم تا املاک گیلان را به شما در بستر اینترنت معرفی کنیم و تمام جزئیات ملاک اعم از ویلا خانه زمین باغ و … را با شفافیت بازگو کنیم تا شما مشتری عزیز بتوانید بهتر تصمیم گیری کنید.

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  104. فروش ویلای سند داره.140 متراژ زمین.85متر بنای – بر اصلی جاده 23 متر –.با استخر روباز و نمای عالی – دروازه زیبا و محصور شده با بلوک دیوار – باربی کیو- استخر روباز – اتوبان رشت به سمت تهران.اتوبان سراوان موزه پارک جنگلی.بر دوم اتوبان

  105. دریچه بازدید فن کویل زیر مجموعه دریچه بازدید تاسیسات به‌شمار رفته و برای دسترسی سرویس‌کاران در زمان‌های مورد نیاز مورد استفاده واقع خواهد شد. از دریچه هوای تاسیسات در قسمت‌های مختلف خانه مثل آشپزی و موتورخانه نیز استفاده شده و مدل دریچه بازدید چوبی برای بهبود ظاهر انواع کنتور نیز کاربرد دارد.

  106. دریچه بازدید فن کویل زیر مجموعه دریچه بازدید تاسیسات به‌شمار رفته و برای دسترسی سرویس‌کاران در زمان‌های مورد نیاز مورد استفاده واقع خواهد شد. از دریچه هوای تاسیسات در قسمت‌های مختلف خانه مثل آشپزی و موتورخانه نیز استفاده شده و مدل دریچه بازدید چوبی برای بهبود ظاهر انواع کنتور نیز کاربرد دارد.

  107. دریچه بازدید فن کویل زیر مجموعه دریچه بازدید تاسیسات به‌شمار رفته و برای دسترسی سرویس‌کاران در زمان‌های مورد نیاز مورد استفاده واقع خواهد شد. از دریچه هوای تاسیسات در قسمت‌های مختلف خانه مثل آشپزی و موتورخانه نیز استفاده شده و مدل دریچه بازدید چوبی برای بهبود ظاهر انواع کنتور نیز کاربرد دارد.

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  110. گوشی های همراه ،منبع سرگرمی بسیار جالبی هستند. می توان با این دستگاه های هوشمند فیلم تماشا کرد، موسیقی گوش داد و از برنامه های رسانه های اجتماعی برای ارسال پیام و حتی صحبت کردن با دوستان و موارد دیگر استفاده کرد.

    اما در دنیای امروزی این موارد بیشتر در بین فرزندان استفاده می شود و به راحتی می توان دلبستگی فرزندان به این گوشی و تبلت ها را به وضوح تشخیص داد. اما آیا اعتیاد فرزندان به این گوشی های هوشمند همراه صحیح است؟ البته که نه!

    به همین دلیل ما می خواهیم برای رفع این مشکل درمانی سریع به شما ارائه دهیم تا بتوانید فرزندان خود را از استفاده بیش از حد از تلفن های همراه خود متوقف کنید یا حداقل بر روی آنها نظارت داشته باشید تا از امنیت آنها اطمینان حاصل کنید.

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